Nagi, Okayama Prefecture, Japan
Nagi Museum of Contemporary Art
Size: 30' x 70' cylinder |
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"Beginning," "past,"
"future," "I," "me," and "you" are
all words that have no place in this process. They are superfluous.
As if magnetized, the body, moving in a veering, unbalanced balance,
loses all sense of identity, or casts the little that remains of its identity
as a person, outside itself. The person who entered the cylinder on her
own volition ceases now to be the initiator of her own actions. There
is no single initiator of actions to be found. Symmetry should be able
to supplant identity, and, sure enough, it can and does do this. In compliance
with the objects and juxtapositions that prompt them to exist, perceptual,
imaging and architectural landing sites have been symmetrically aligned;
they now initiate actions and instigate events. If the body proper loses
its bearings within this symmetrically organized container, it is up to
all the landing sites arrayed throughout the entire interior of the cylinder
plus the visitor’s body proper, functioning palpably in combination
as an "architectural body," to institute a new set of bearings.
This is also how things go in the normal course of events, although generally
the number and diversity of the initiating sites involved in each action
stand unrevealed.
Eternity is an ancient and foolish dream or construction. Learning how
not to die is, of course, an entirely different matter. Step into Ubiquitous
Site · Nagi’s Ryoanji · Architectural Body to
learn how not to die. |